LabMed 2021

Mohamed and Keltoum are a modern Casablanca couple who have a successful professional career and a fulfilling love life. Together, they decided not to have children. According to them, humanity can do without their offspring. The difficult context of contemporary Moroccan society, the lack of prospects and the national education system strongly discourage them. One night, while staying with friends in a mountain resort, they are forced to return urgently to take the forgotten contraceptive pill. On the way back, an unpredictable incident puts a lost child in their path. Although the child was eventually reunited with his family, Keltoum remains perplexed by this chance encounter and a deep unease grows within the couple as a result. After an ordinary visit to the doctor, Keltoum discovers that his state of health compromises his chances of being pregnant. This revelation awakens her maternal instinct, profoundly disrupting her old belief systems. Despite the low odds, the couple resumes their routine and tries to overcome the crisis. But after neglecting contraception, Keltoum discovers she is pregnant and decides to keep the baby, forcing Mohamed into a dilemma.

GRETA (62 years old) is an actress, a diva whose world collapses when she discovers that her son MARKO (30 years old), from whom she is estranged, is terminally ill. Greta moves from the city to the village, in the small dilapidated house of Marko and his wife ZORA (30 years old). Very quickly, their bad relationships take over and Greta is kicked out of the house. In a desperate attempt to repair their relationship, she relives Marko's life before he fell ill.

The harvests have been poor and we are preparing to reopen the Sasseneire mountain pasture despite superstitions. no one wants to go up there, under the disturbing glacier. A few men finally show up. But very quickly, the disease affects the livestock and they are quarantined. The violence of nature and the fear of men will lead to the destruction of the community.

A secluded Provençal village. 20 years ago, Titi spent a drunken night with the beautiful Caro, he never spoke about it to his partner whom he loves more than anything. But one day, the specter of his weakness takes the form of a young woman from the city. This is Ninon, daughter of Caro, bearer of tensions and secrets.

Aya, a thirty-year-old Tunisian, lives in Tozeur, a city in southern Tunisia, at the edge of the desert. Between social dictates, conservatism and disillusionment, Aya is not the happiest girl in the world. One day, a misfortune befell her. Aya doesn't yet know that this will be the most beautiful thing that has ever happened to her. An unexpected opportunity for this young woman who sees her life completely called into question. What are we capable of to be free? How far can we go to free ourselves from our past? Aya will never be the same person again.

Everyone thinks their family is the craziest, but that risks changing, especially when Mark decides to make a documentary about his mother and his aunts: Lena, Yolla, Beba and Voulla. All events in this film will be seen through the camera of Mark, who tries to reveal their secrets. They are quite comfortable discussing the most intimate parts of their bodies while keeping their religious beliefs in mind. It's true that the Andriottys are no ordinary family, but one aunt takes the competition to a whole new level. So what seems like a very easy and overly accomplished task will actually spiral out of control. Especially when they try to hold Yolla back and hide her deep, dark secret. But all their efforts fail when she announces her return as La Divina Maria Callas. Yolla believes he is the reincarnation of Callas.

After five years behind bars, Djamel regains his freedom. He no longer has anywhere to go, his wife sold the apartment, obtained a divorce and disappeared into the wild with Yanis, their only child. Djamel's last refuge, his native village where his parents' house still stands. Between his desire to find his son and his desire to rebuild his life among the rural people, Djamel is faced with one and only one choice in this labyrinth where revenge can strike at any moment.

Anna, a young Neapolitan film student, daughter of a repentant man who is in prison and a witness for justice, gets lost one summer evening during a rave party. For fear of being pursued by her father's enemies, whom she thinks she recognizes among the crowd, she hides in an unusual camp of nomadic acrobats who raise horses. With the idea of ​​not returning home for fear of being killed, Anna decides to stay with her "new friends" and follow them to France for the famous nomadic Camargue festival at Saintes-Maries-de-la-Mer, beginning an adventurous and dangerous journey in search of her true identity. After the initial distrust, the Gypsies became family to Anna. Going from town to town with circus shows, Anna finds love, and discovers a new idea of ​​cinema, filming camp life and shows, so much so that the camp children decide to rename her Elvira, in honor of the first Italian director Elvira Notari.