Joana
Carro Pérez
Joana Carro Pérez

About the Author

Background

Joana Carro (Lisbon, 1988) develops her practice at the intersection of writing, cinema, visual arts, gastronomy, publishing, and graphic design. Her interdisciplinary work focuses on experimenting with media and their boundaries. She holds degrees in audiovisual communication and in literary theory and comparative literature (Complutense University, 2011, 2012), as well as a master’s in contemporary culture (Ortega y Gasset Foundation, 2013). She co-directs the publishing project Fulgencio Pimentel and was the curator of the Libros Mutantes Madrid Art Book Fair (La Casa Encendida, 2018–2020), among other cultural events.

She has translated more than thirty books and co-authored El libro del futuro (2018) with César Sánchez, a time capsule-like publication released in Spain, Mexico, Colombia, Ecuador, Peru, France, Italy, and South Korea. Her work has been recognized with several awards, including the Gràffica Prize, three National Awards from the Spanish Ministry of Culture, and the Lázaro Galdiano Prize.

She has developed her artistic practice through residencies such as the Cité internationale des arts (Paris) and LABoral Centro de Arte y Creación Industrial (Gijón). She is currently developing her first feature film, My Name Is Erik Satie, Like Everyone Else, which was selected for the #LAB at the Novos Cinemas International Festival in Pontevedra, the Meditalents program in Marseille, and is produced by Esnatu Zinema.

Developed Projects

Works Supported by Meditalents

Cover photo of this edition

LabDoc 2025

Je m'appelle Erik Satie, comme tout le monde

A Spanish woman travels to Uruguay in search of an absent father whom she last saw 12 years ago. At the age of 6, a cassette tape that her mother listened to constantly and a vivid imagination led her to believe that her father was Erik Satie. Now that she is 36, this fantasy has been revived after the unexpected result of a DNA test: 29% of her genetic heritage is French. To clear up this confusion, she undertakes to meet his father at a notary and legally recognize him as his father. But first, she has to find him.

From Script to Screen

Projects That Became Films

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